This reactive installation follows a rigorous electronic score, produced by a generative composition software that mixes the sound material in an infinite combination of possibilities: the score consists of graphs made of an ensemble of nodes connected by directional paths. Each node contains specific information on what sort of gesture the system will perform, and it is executed in response to the motion of the visitors. Once a single graph has been executed, a new graph is generated, making the performance virtually infinite without presenting the same material more than once. Graphs are constructed using a model for the generation of scale-free networks discovered by Barabasi in 1999: the model incorporates two important general concepts, growth and preferential attachment: growth means that the number of nodes in the network increases over time; preferential attachment means that the more connected a node is, the more likely it is to receive new links. Nodes with a higher degree have a stronger ability to grab links added to the network. The resulting topology is fundamental in the analysis of many real networks, and here it is a metaphor of how misinformation spreads within the framework of our social connections.